Summary
The Tempest, The Winter's Tale, Measure for Measure, and All's Well That Ends Well have fascinated scholars for centuries for, among other aspects, the ways they resist an obvious genre classification. While these stories of love and familial recognition bear elements of romantic conflict, Shakespeare integrated aspects of the comedic and tragic as well in these complex works. Renowned Shakespearean scholar Harold Bloom introduces this volume of critical essays about the Bard and his romantic plays, and a chronology of his life, a bibliography, and an index will be helpful to researchers.
Specifications
Chronology. Bibliography. Index.
About the Author(s)
Harold Bloom is Sterling Professor of the Humanities at Yale University. Educated at Cornell and Yale universities, he is the author of 30 books, including Shelley's Mythmaking (1959), The Visionary Company (1961), Blake's Apocalypse (1963), Yeats (1970), A Map of Misreading (1975), Kabbalah and Criticism (1975), Agon: Toward a Theory of Revisionism (1982), The American Religion (1992), The Western Canon (1994), Omens of Millennium: The Gnosis of Angels, Dreams, and Resurrection (1996), and Shakespeare: The Invention of the Human (1998), a 1998 National Book Award finalist. The Anxiety of Influence (1973) sets forth Professor Bloom's provocative theory of the literary relationships between the great writers and their predecessors. His most recent books include How to Read and Why (2000), Genius: A Mosaic of One Hundred Exemplary Creative Minds (2002), Hamlet: Poem Unlimited (2003), Where Shall Wisdom Be Found? (2004), and Jesus and Yahweh: The Names Divine (2005). In addition, he is the author of hundreds of articles, reviews, and editorial introductions. In 1999, Professor Bloom received the prestigious American Academy of Arts and Letters Gold Medal for Criticism. He has also received the International Prize of Catalonia, the Alfonso Reyes Prize of Mexico, and the Hans Christian Andersen Bicentennial Prize of Denmark.