Summary
Percy Shelley left an indelible mark on English romantic poetry with his enduring works, including "Ozymandias," "To a Skylark," and "Ode to the West Wind." Esteemed scholar Harold Bloom states that Shelley, though at heart a skeptic and not a Platonic visionary, nevertheless broke through to a Gnostic vision of his own. His evolving critical reputation is presented here, from the commentary of those who knew him to the assessments of succeeding generations of critics and readers. These critical essays are enhanced by a chronology of Shelley's life, an index of the volume, and an introductory essay penned by Bloom.
About the Author(s)
Harold Bloom is Sterling Professor of the Humanities at Yale University. Educated at Cornell and Yale universities, he is the author of 30 books, including Shelley's Mythmaking (1959), The Visionary Company (1961), Blake's Apocalypse (1963), Yeats (1970), A Map of Misreading (1975), Kabbalah and Criticism (1975), Agon: Toward a Theory of Revisionism (1982), The American Religion (1992), The Western Canon (1994), Omens of Millennium: The Gnosis of Angels, Dreams, and Resurrection (1996), and Shakespeare: The Invention of the Human (1998), a 1998 National Book Award finalist. The Anxiety of Influence (1973) sets forth Professor Bloom's provocative theory of the literary relationships between the great writers and their predecessors. His most recent books include How to Read and Why (2000), Genius: A Mosaic of One Hundred Exemplary Creative Minds (2002), Hamlet: Poem Unlimited (2003), Where Shall Wisdom Be Found? (2004), and Jesus and Yahweh: The Names Divine (2005). In addition, he is the author of hundreds of articles, reviews, and editorial introductions. In 1999, Professor Bloom received the prestigious American Academy of Arts and Letters Gold Medal for Criticism. He has also received the International Prize of Catalonia, the Alfonso Reyes Prize of Mexico, and the Hans Christian Andersen Bicentennial Prize of Denmark.